by Robert Frost
Robert Frost's books include A Boy's Will in 1913, North of Boston in 1914, Mountain Interval in 1916, New Hampshire in 1923 (for which Frost was awarded his first Pulitzer Prize), West-Running Brook in 1928, A Further Range in 1936 (giving Frost a third Pulitzer), A Witness Tree in 1942 (becoming the first person to receive the Prize four times), A Masque of Reason in 1945, Steeple Bush in 1947, A Masque of Mercy in 1947, and In the Clearing in 1962.
Additionally, his publishers released numerous anthologies and collections, including Selected Poems (New York: Henry Holt, 1923), Selected Poems (New York: Henry Holt, 1928), Collected Poems (New York: Henry Holt, 1930, which results in second Pulitzer in 1931), Selected Poems (New York: Henry Holt, 1934), Selected Poems (London: Jonathan Cape, 1936), Collected Poems (New York: Henry Holt, 1939), The Poems (New York: Modern Library, 1946), Complete Poems (New York: Henry Holt, 1949), Aforesaid (New York: Henry Holt, 1954), Selected Poems (London: Penguin Books, 1955), and Selected Poems (New York: Holt, Rinehart and Winston, 1963).
Robert Frost's earliest work is now in the public domain, but all of his latter work remains under copyright protection and cannot be reproduced with permission.
1914 North of Boston
by Robert Frost
SOMETHING there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbour know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
"Stay where you are until our backs are turned!"
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, "Good fences make good neighbours."
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
"Why do they make good neighbours? Isn't it
Where there are cows? But here there are no cows.
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn't love a wall,
That wants it down." I could say "Elves" to him,
But it's not elves exactly, and I'd rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father's saying,
And he likes having thought of it so well
He says again, "Good fences make good neighbours."
Mending Wall takes up the theme where
A Tuft of Flowers in A Boy's Will laid it down.