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Poems for the People   -  Poems by the People

CV to CXIX
by Lord Alfred Tennyson

English poet and dramatist, generally considered to be the chief representative of the Victorian age in poetry. Tennyson's major works include his Poems. Chiefly Lyrical (1830); his two volume work, again entitled Poems, of 1842 which includes, alongside rewritten earlier works, the dramatic monologue 'Ulysses', 'Morte d'Arthur' and 'Sir Galahad' - his first pieces dealing with Arthurian legend, 'Locksley Hall' and 'Break, Break, Break'; the novella Princess: a Medly (1847) and his In Memorium A.H.H. (1850), a tribute to his deceased friend Arthur Hallam.

Other major works, this time from Tennyson's second period of creative out put after being made poet laureate, include Ode on the Death of the Duke of Wellington (1852), The Charge of the Light Brigade (1854) and Maud (1855), what Tennyson referred to as his "monodrama".

He also wrote, in later years, a number of works centred on Arthurian legends, including The Idylls of the King (1859), The Holy Grail and Other Poems (1870) and Gareth and Lynette (1872), as well as some poetic dramas: Queen Mary (1875), Harold (1877), Becket (1884) and, his only prose work, The Promise of May (produced at the Globe Theatre in November 1882). Other important works are Despair (1881), Locksley Hall Sixty Years After (1886), Demeter and Other Poems (1889) and his famous Crossing the Bar (1889). At Alfred's request, his poem "Crossing the Bar," an epitaph of sorts, is always printed last in any collection of his works (our thanks to visitor Cynthia R. for reminding Passions of this oversight).


In Memoriam
CV to CXIX
by Lord Alfred Tennyson

CV

To-night ungather'd let us leave
   This laurel, let this holly stand:
   We live within the stranger's land,
And strangely falls our Christmas-eve.

Our father's dust is left alone
   And silent under other snows:
   There in due time the woodbine blows,
The violet comes, but we are gone.

No more shall wayward grief abuse
   The genial hour with mask and mime;
   For change of place, like growth of time,
Has broke the bond of dying use.

Let cares that petty shadows cast,
   By which our lives are chiefly proved,
   A little spare the night I loved,
And hold it solemn to the past.

But let no footstep beat the floor,
   Nor bowl of wassail mantle warm;
   For who would keep an ancient form
Thro' which the spirit breathes no more?

Be neither song, nor game, nor feast;
   Nor harp be touch'd, nor flute be blown;
   No dance, no motion, save alone
What lightens in the lucid east

Of rising worlds by yonder wood.
   Long sleeps the summer in the seed;
   Run out your measured arcs, and lead
The closing cycle rich in good.

CVI

Ring out, wild bells, to the wild sky,
   The flying cloud, the frosty light:
   The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
   Ring, happy bells, across the snow:
   The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind,
   For those that here we see no more;
   Ring out the feud of rich and poor,
Ring in redress to all mankind.

Ring out a slowly dying cause,
   And ancient forms of party strife;
   Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care, the sin,
   The faithless coldness of the times;
   Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.

Ring out false pride in place and blood,
   The civic slander and the spite;
   Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease;
   Ring out the narrowing lust of gold;
   Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
   The larger heart, the kindlier hand;
   Ring out the darkness of the land,
Ring in the Christ that is to be.

CVII

It is the day when he was born,
   A bitter day that early sank
   Behind a purple-frosty bank
Of vapour, leaving night forlorn.

The time admits not flowers or leaves
   To deck the banquet. Fiercely flies
   The blast of North and East, and ice
Makes daggers at the sharpen'd eaves,

And bristles all the brakes and thorns
   To yon hard crescent, as she hangs
   Above the wood which grides and clangs
Its leafless ribs and iron horns

Together, in the drifts that pass
   To darken on the rolling brine
   That breaks the coast. But fetch the wine,
Arrange the board and brim the glass;

Bring in great logs and let them lie,
   To make a solid core of heat;
   Be cheerful-minded, talk and treat
Of all things ev'n as he were by;

We keep the day. With festal cheer,
   With books and music, surely we
   Will drink to him, whate'er he be,
And sing the songs he loved to hear.

CVIII

I will not shut me from my kind,
   And, lest I stiffen into stone,
   I will not eat my heart alone,
Nor feed with sighs a passing wind:

What profit lies in barren faith,
   And vacant yearning, tho' with might
   To scale the heaven's highest height,
Or dive below the wells of Death?

What find I in the highest place,
   But mine own phantom chanting hymns?
   And on the depths of death there swims
The reflex of a human face.

I'll rather take what fruit may be
   Of sorrow under human skies:
   'Tis held that sorrow makes us wise,
Whatever wisdom sleep with thee.

CIX

Heart-affluence in discursive talk
   From household fountains never dry;
   The critic clearness of an eye,
That saw thro' all the Muses' walk;

Seraphic intellect and force
   To seize and throw the doubts of man;
   Impassion'd logic, which outran
The hearer in its fiery course;

High nature amorous of the good,
   But touch'd with no ascetic gloom;
   And passion pure in snowy bloom
Thro' all the years of April blood;

A love of freedom rarely felt,
   Of freedom in her regal seat
   Of England; not the schoolboy heat,
The blind hysterics of the Celt;

And manhood fused with female grace
   In such a sort, the child would twine
   A trustful hand, unask'd, in thine,
And find his comfort in thy face;

All these have been, and thee mine eyes
   Have look'd on: if they look'd in vain,
   My shame is greater who remain,
Nor let thy wisdom make me wise.

CX

Thy converse drew us with delight,
   The men of rathe and riper years:
   The feeble soul, a haunt of fears,
Forgot his weakness in thy sight.

On thee the loyal-hearted hung,
   The proud was half disarm'd of pride,
   Nor cared the serpent at thy side
To flicker with his double tongue.

The stern were mild when thou wert by,
   The flippant put himself to school
   And heard thee, and the brazen fool
Was soften'd, and he knew not why;

While I, thy nearest, sat apart,
   And felt thy triumph was as mine;
   And loved them more, that they were thine,
The graceful tact, the Christian art;

Nor mine the sweetness or the skill,
   But mine the love that will not tire,
   And, born of love, the vague desire
That spurs an imitative will.

CXI

The churl in spirit, up or down
   Along the scale of ranks, thro' all,
   To him who grasps a golden ball,
By blood a king, at heart a clown;

The churl in spirit, howe'er he veil
   His want in forms for fashion's sake,
   Will let his coltish nature break
At seasons thro' the gilded pale:

For who can always act? but he,
   To whom a thousand memories call,
   Not being less but more than all
The gentleness he seem'd to be,

Best seem'd the thing he was, and join'd
   Each office of the social hour
   To noble manners, as the flower
And native growth of noble mind;

Nor ever narrowness or spite,
   Or villain fancy fleeting by,
   Drew in the expression of an eye,
Where God and Nature met in light;

And thus he bore without abuse
   The grand old name of gentleman,
   Defamed by every charlatan,
And soil'd with all ignoble use.

CXII

High wisdom holds my wisdom less,
   That I, who gaze with temperate eyes
   On glorious insufficiencies,
Set light by narrower perfectness.

But thou, that fillest all the room
   Of all my love, art reason why
   I seem to cast a careless eye
On souls, the lesser lords of doom.

For what wert thou? some novel power
   Sprang up for ever at a touch,
   And hope could never hope too much,
In watching thee from hour to hour,

Large elements in order brought,
   And tracts of calm from tempest made,
   And world-wide fluctuation sway'd
In vassal tides that follow'd thought.

CXIII

'Tis held that sorrow makes us wise;
   Yet how much wisdom sleeps with thee
   Which not alone had guided me,
But served the seasons that may rise;

For can I doubt, who knew thee keen
   In intellect, with force and skill
   To strive, to fashion, to fulfil --
I doubt not what thou wouldst have been:

A life in civic action warm,
   A soul on highest mission sent,
   A potent voice of Parliament,
A pillar steadfast in the storm,

Should licensed boldness gather force,
   Becoming, when the time has birth,
   A lever to uplift the earth
And roll it in another course,

With thousand shocks that come and go,
   With agonies, with energies,
   With overthrowings, and with cries
And undulations to and fro.

CXIV

Who loves not Knowledge? Who shall rail
   Against her beauty? May she mix
   With men and prosper! Who shall fix
Her pillars? Let her work prevail.

But on her forehead sits a fire:
   She sets her forward countenance
   And leaps into the future chance,
Submitting all things to desire.

Half-grown as yet, a child, and vain --
   She cannot fight the fear of death.
   What is she, cut from love and faith,
But some wild Pallas from the brain

Of Demons? fiery-hot to burst
   All barriers in her onward race
   For power. Let her know her place;
She is the second, not the first.

A higher hand must make her mild,
   If all be not in vain; and guide
   Her footsteps, moving side by side
With wisdom, like the younger child:

For she is earthly of the mind,
   But Wisdom heavenly of the soul.
   O, friend, who camest to thy goal
So early, leaving me behind,

I would the great world grew like thee,
   Who grewest not alone in power
   And knowledge, but by year and hour
In reverence and in charity.

CXV

Now fades the last long streak of snow,
   Now burgeons every maze of quick
   About the flowering squares, and thick
By ashen roots the violets blow.

Now rings the woodland loud and long,
   The distance takes a lovelier hue,
   And drown'd in yonder living blue
The lark becomes a sightless song.

Now dance the lights on lawn and lea,
   The flocks are whiter down the vale,
   And milkier every milky sail
On winding stream or distant sea;

Where now the seamew pipes, or dives
   In yonder greening gleam, and fly
   The happy birds, that change their sky
To build and brood; that live their lives

From land to land; and in my breast
   Spring wakens too; and my regret
   Becomes an April violet,
And buds and blossoms like the rest.

CXVI

Is it, then, regret for buried time
   That keenlier in sweet April wakes,
   And meets the year, and gives and takes
The colours of the crescent prime?

Not all: the songs, the stirring air,
   The life re-orient out of dust
   Cry thro' the sense to hearten trust
In that which made the world so fair.

Not all regret: the face will shine
   Upon me, while I muse alone;
   And that dear voice, I once have known,
Still speak to me of me and mine:

Yet less of sorrow lives in me
   For days of happy commune dead;
   Less yearning for the friendship fled,
Than some strong bond which is to be.

CXVII

O days and hours, your work is this
   To hold me from my proper place,
   A little while from his embrace,
For fuller gain of after bliss:

That out of distance might ensue
   Desire of nearness doubly sweet;
   And unto meeting when we meet,
Delight a hundredfold accrue,

For every grain of sand that runs,
   And every span of shade that steals,
   And every kiss of toothed wheels,
And all the courses of the suns.

CXVIII

Contemplate all this work of Time,
   The giant labouring in his youth;
   Nor dream of human love and truth,
As dying Nature's earth and lime;

But trust that those we call the dead
   Are breathers of an ampler day
   For ever nobler ends. They say,
The solid earth whereon we tread

In tracts of fluent heat began,
   And grew to seeming-random forms,
   The seeming prey of cyclic storms,
Till at the last arose the man;

Who throve and branch'd from clime to clime,
   The herald of a higher race,
   And of himself in higher place,
If so he type this work of time

Within himself, from more to more;
   Or, crown'd with attributes of woe
   Like glories, move his course, and show
That life is not as idle ore,

But iron dug from central gloom,
   And heated hot with burning fears,
   And dipt in baths of hissing tears,
And batter'd with the shocks of doom

To shape and use. Arise and fly
   The reeling Faun, the sensual feast;
   Move upward, working out the beast,
And let the ape and tiger die.

CXIX

Doors, where my heart was used to beat
   So quickly, not as one that weeps
   I come once more; the city sleeps;
I smell the meadow in the street;

I hear a chirp of birds; I see
   Betwixt the black fronts long-withdrawn
   A light-blue lane of early dawn,
And think of early days and thee,

And bless thee, for thy lips are bland,
   And bright the friendship of thine eye;
   And in my thoughts with scarce a sigh
I take the pressure of thine hand.


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