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In a Gondola
by Robert Browning

English poet and dramatist, whose most ambitious work was The Ring and the Book (1868-69): a verse narrative in ten parts based on a real murder trial conducted in Florence. He also wrote and published Pauline (1833), Paracelsus (1835), Sordello (1840) and Strafford (1837), a play that ran for only five nights. Two other plays A Blot in the Scutcheon (1843) and Colombe's Birthday (1843), were also performed briefly in 1843 and 1853, after which Browning wrote mainly dramatic poetry. He published a series of eight volumes of verse, under the title Bells and Pomegranates, between 1841 and 1846. After his marriage to the poetess Elizabeth Barrett Browning in 1846, Browning's most important works, along with The Ring and the Book, were Christmas-Eve and Easter-Day (1850), an exploration of worship; a volume of fifty poems entitled Men and Women (1850) and Dramatis Personae (1854). The influence of his handling of diction and the monologue form is perhaps to be noted in such twentieth century poets as Ezra Pound and T.S. Eliot.


In a Gondola
by Robert Browning

The moth's kiss, first!
Kiss me as if you made believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide open I burst.

The bee's kiss, now!
Kiss me as if you enter'd gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is rendered up,
And passively its shattered cup
Over your head to sleep I bow.


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